Online Challenges

Good Fortune — Art Challenge #17

For this Challenge, you will need a fortune cookie (real, virtual, dreamt). Make an image triggered by your fortune. But, wait there’s more: Many fortune cookies’ fortunes have a feature on the back “Learn One Chinese Word.” An extra challenge is to somehow reference that word in the drawing. (If you’re looking for some inspiration, start here.)

Rules are simple:

  • Color or black & white
  • 2D or 3D
  • Any surface, any medium
  • Draw from direct observation preferred where possible

Send your image to RNAC.Workshops@gmail.com along with the title of your piece. Deadline for this Challenge is August 1.

Fortune Cookie in a Teacup, by Matt Cegelis
This Cookie’s Fortune: “Declare Peace Every Day”, by Linda Bourke
Practicing Good Fortune (with Jackie’s Ceramic Cookie), by Janice Brand
Online Challenges

Ingredients — Art Challenge #16

Some energetic souls here at Rocky Neck Art Colony are looking to put together a Colony cookbook. We’re gathering recipes, and we need art too. Focusing on ingredients is easier than, say, painting a salad, so take your favorites as inspiration—eggs, apples, walnuts, even broccoli, maybe a whole pie —and paint/draw/photograph at will.

Rules are simple:

  • Color or black & white
  • 2D or 3D
  • Any surface, any medium
  • Draw from direct observation preferred where possible.

Send your image to RNAC.Workshops@gmail.com along with the title of the piece. Deadline for Ingredients is July 26 (extended — I’ll be away the 20th to the 23rd and won’t be able to post your pictures on those dates).

Gooseberries, by Christine Bobek
Olive Branch, by Christine Bobek
Pears by Katherine Coakley
Pears, by Dina Gomery
Eggs Not Broken, by Ken King
Cabbage, by Olga Hayes

Ripe, by Sandy Shaw
Greek Salad, by Claire Wyzenbeek
Farm Fresh, by Leslie Heffron
Four Pears, by Bruce Shaw

Apples, by Marny Williams

Corn and Ant, by Karen Watson

Pierre’s Table Oil, by Candace Stella
Italian Dinner at Farfa, by Joy Buell
Oysters, by Mary Hayes
Frilly Egg, by Helen Tory
Allium Sativum, by Matt Cegelis
Swiss Chard, by Ray Magnan
Pepino Melon and Grapes, by Linda Bourke
Online Challenges

Fast Sketch — Art Challenge #15

Sure, it’s easy to draw a model or a tree, something static. Want a real challenge? Pick a moving target. I happen to be partial to chickens, but birds, waves, dogs, people at the beach: anything’s fair game. You’ll be training your eye to get the essentials — fast.

Rules are simple:

  • Color or black & white
  • 2D or 3D
  • Any surface, any medium
  • Draw from direct observation preferred where possible.

Send your image to RNAC.Workshops@gmail.com along with the title of the piece. Deadline for Fast Sketch is July 11.

Happy Hour, by Ken King
Too Darn Hot, by Jane Hively
Sailing Lessons, by Shelly Champion
Pounding Down the Tracks, by Jonathan Hively
1918, by Donna Caselden
Ellie in the Woods, by Matt Cegelis
Helen’s Chickens by Helen, by Helen Tory
Released, by Linda Bourke
Helen’s Chickens, by Janice Brand
Online Challenges

Faceless Self-Portrait — Art Challenge #14

Phew — glad that Mineral Challenge is over (though if you have a piece to submit, you still can). This week’s Challenge is way more fun: Create a self-portrait that does NOT include your face.

The rules are simple:

  • Color or black & white
  • 2D or 3D
  • Any surface, any medium
  • Draw from direct observation preferred where possible.

Send your image to RNAC.workshops@gmail.com. Send in a title or I’ll come up with my own. Deadline for Faceless Self-Portrait is July 4 (July 4th?? Already??).

In Summer, by Neta Goren
Piper Jon, by Jonathan Hively
Self Portrait without a Self Portrait, by Ken King
Bubbly Jane, by Jane Hively
About Face, by Ed Mowrey
Faceless Selfie, by Matt Cegelis
Some Fingers on It, by Helen Tory

Gray Hair, by Janice Brand
Faceless Selfie, by Linda Bourke
Online Challenges

Mineral—Art Challenge #13

Figures it would be Number 13: Mineral?? According to Encyclopedia Britannica, a mineral is “a naturally occurring homogeneous solid with a definite chemical compositionand a highly ordered atomic arrangement; it is usually formed by inorganic processes.”

Got that? Me neither.

You can Google “mineral images”— get out the paint box!

If you played along with Animal and Vegetable, this Mineral should be part of that series—or not. Try your best!

  • Color (black & white if you think you can!)
  • 2D or 3D
  • Any surface, any medium
  • Draw from direct observation preferred where possible.

Send your image to RNAC.workshops@gmail.com. Send in a title or I’ll come up with my own. Deadline for Mineral is June 28.

A Necessity for Life, by Sandy Shaw
The Gift, by Ken King
Carats & Carrots Plus Sheep, by Jon Hively
Round Stone on Rock, by Helen Tory
The Eye of the Tiger in Dreamland, by Jane Hively
Portrait of a. Rock, by Ed Mowery
Across Generations: Self-Portrait in my Grandmother’s Silver Spoon, by Bruce Shaw
Beach Rock Garden, by Claire Wyzenbeek
Mock Diamond (part of the Mock Series), by Linda Bourke
Three of My Favorites, by Christine Bobek
Himalayan Salt, by Matt Cegelis
Online Challenges

Vegetable—Art Challenge #12

Following last week’s Animal Challenge, this week it’s Vegetable’s turn. You did establish a theme for all your images, right (remember, next week it’s the trio’s conclusion with Mineral)? Yeah, I didn’t either. That shouldn’t stop you, though.

Simple rules:

  • Color or black & white
  • 2D or 3D
  • Any surface, any medium
  • Draw from direct observation preferred where possible.

Send your image to RNAC.workshops@gmail.com. Send in a title or I’ll come up with one of my own! Deadline for Vegetable is June 21.

The Offering, by Ken King
Fennel, by Jean Fogle
Carrot Banquet, by Jonathan Hively
Peter Piper’s Peppers, by Jane Hively
Garden Sampler, by Claire Wyzenbeek
Animal + Vegetable: Cattle in a Grassy Pasture, by Bruce Shaw
A Fruit’s a Vegetable, Right?, by Helen Tory
Beets, by Ed Mowrey
Maize, by Matt Cegelis
Mock Meat, by Linda Bourke
Egyptian Onion 1, 2 and 3; by Martha Swanson
You’ll Be Missed, Asparagus; by Janice Brand
Online Challenges

First of Three: Animal— Art Challenge #11

This week it’s Animal. Guess the next two weeks’ Challenges: yep, Vegetable, Mineral. The point is to choose a theme to connect your three responses over the coming weeks. Ready to get started?

***Still time to sign up for the online Portrait Workshop given by the juror of our new RNACExhibitions website inaugural show. Only $100 for all four classes for RNAC members Details here. ***

Simple rules:

  • Color of black & white
  • 2D or 3D
  • Any surface, any medium
  • Drawing from direct observation preferred where possible.

Send your image to RNAC.workshops@gmail.com. Deadline for Animals is June 13.

I know I am but what are you, by Joyce Roessler
Sheep May Safely Graze, by Jon Hively
The Challenge, by Ken King
Panda and Friend, by Candace Stella
Sunlit Slumber, by Katherine Coakley
Lula, by Bruce Shaw
Claudius—Tiger Enthroned, by Jane Hively
Mixed Media: Global Warming, by Donna Caselden
Great Blue Heron, by Ed Mowrey
Night, by Barbara Moody
A Threefer: Animal, Vegetable, Mineral; by Ken King
El Toro (after Elaine de Kooning), by Ed Mowrey
Wolf Hollow Resident, by Matt Cegelis
Mock Moo, by Linda Bourke
Wild Boar (not your next dinner guest), by Janice Brand
Online Challenges

A Spot of Color — Art Challenge #10

Wow: We made it to 10 Challenges!

This week we tackle Isolated Color. Adding a second color to a monotone image creates immediate and often dramatic focus. Have fun using this simple visual strategy.

Simple rules:

  • Monotones except for that isolated color
  • 2D or 3D
  • Any surface, any medium
  • Drawing from direct observation preferred where possible.

Send your images to RNAC.Workshops@gmail.com. Include a title. Deadline is June 6.

Catch Me if You Can, by Ed Mowrey
Dinosaur Lookout, by Jonathan Hively
Annisquam Light, by Janice Brand
Sunset Sail, by Katherine Coakley
Ro, by Christine Bobek
Goldfinch in the Catmint, by Helen Tory
Robin’s Egg, by Jane Hively
Back Door, by Paul Trefry
One in Ten, by Linda Bourke
Man with Red Brush, by Paul Trefry
Falling Water, by Ken King
Envelope with Blue Tape, by Matt Cegelis
Mantis Swan Song, by Linda Bourke
Online Challenges

Congratulations: It’s Analogous!—Art Challenge #9

We’ve reached Number 9 (“number 9, number 9” for those who remember the White Album). This week, explore colors that are side-by-side on the color wheel (see chart below).

or Color Wheel

These colors are considered analogous, and create calmer energy than complements. Use analogous colors for this week’s Art Challenge.

  • Colors that are analogous
  • 2D or 3D
  • Any surface, any medium
  • Drawing from direct observation preferred where possible

Send your images to RNACworkshops@gmail.com. Include a title unless you want me to make one up for you. Deadline is May 30.

Quarry Painting #1, by Joyce Roessler
Dutton, by Jonathan Hively
Orchid, by Randolph Kelts
Summer Meadow, by Ed Mowrey
Sunset, by Ken King
Mirror Mirror, by Jane Hively
Lilac Love, by Janice Brand
Analogous Swooshes, by Matt Cegelis
Oriole with Oranges and Azalea, by Helen Tory
Lost City, by Anna Stewart
The Reappearance of Ms. Mantis, by Linda Bourke
Online Challenges

Complements—Art Challenge #8

The underlying energy of an image is often determined by deliberate color choice. Complementary Colors are those that are opposite each other on the color wheel (Red and Green, Yellow and Purple, Orange and Blue).  When used together, these combinations create a certain vibration or resonance within the image. For this challenge, make an image that employs this principle of color theory.

  • Complementary colors, please
  • 2d or 3D
  • Any surface, any medium
  • Drawing from direct observation preferred where possible.

One-week deadline: You have until May 24, so get drawing! Send your images to RNAC.workshops@gmail.com.

Twin Lights, by Leslie Heffron
Doodling in Contrasts, by Cynthia Roth
Wild Columbine, by Helen Tory
Growth, by Joyce Roessler
Praying Mantis, by Linda Bourke
Storm Warning, by Jonathan Hively
Not My Favorite Colors Together, by Candace Stella
Abstract Construction, by Len Burgess
Red Umbrella, by Jane Hively
Complements, by Donna Caselden
Recon 5132, by Matt Cegelis
Looking at You, by Randolph Kelts
Red-Haired Girl Napping, by Claire Wyzenbeek
En Guard, by Kathleen G. Archer
Weavings, by Ken King
Old Friend, by Claire Wyzenbeek
Complements, by Kat Masella
Meadow, by Ken King
Lure, by Linda Bourke