For this challenge, put aside your pencils and brushes. Make an image using a non-traditional drawing tool (stick, fork, your roommate’s toothbrush…). You can also use a non-traditional medium. Please identify your materials.
Otherwise, rules as usual:
Color or black & white
2D or 3D
Truly any surface, any non traditional medium
Deadline is October 24. Send your image to rnac.workshops@gmail.com. Send title, but more important this week, identify your materials.
Enlarging is a powerful visual strategy. Otherwise, we would not love Georgia O’Keefe’s work quite so much.
For this art challenge, choose a small object from nature– a seed, mushroom, cherry, shell, etc. Spend a few minutes observing the object’s details. Make an image in which the object is at least TEN times larger than the original (1 inch = 10 inches!). Don’t hesitate to let the image bleed off the edges of your surface to create interesting negative shapes.
Simple rules:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible
Deadline is October 10. Send your image to rnac.workshops@gmail.com. Send along a title, or I’ll come up with one (and it’s sure to be wrong!).
This week’s Challenge involves removing from the surface. Scratch, scrape, sand, erase your way to an image! (Personally, I find it one of the most fun ways to attack something — break out those erasers.)
Rules are simple too:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible
Deadline is October 3. Send your image to rnac.workshops@gmail.com. Send along a title, or I’ll come up with one (and it’s sure to be wrong!).
Let us repeat: Repetition. Using repetition can produce a variety of effect, like movement or emphasis. It can trigger memory, create confusion or just result in an interesting composition. In this challenge use repetition repetition.
Rules are simple:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible
Deadline for this one is September 26; send to RNAC.workshops@gmail.com. Send along a title or I’ll have to make one up.
Repetitions, by Mary RhinelanderKnot, by Matt CegelisCherries, by Christine Bobek
Balancing Act, by Christine Bobek
I am Paisley, by Jean Fogle
Angel, Angel, by Linda Bourke
Music of the Spheres, by Ken King
She Sells Sea Shells, by Michele Champion
Reflections on the Multiverse, by Ray MagnanBirds on a Wire a la Stuart Davis, by Janice Brand
Someone mentioned football season starting? We can do that — here’s the challenge: think wide, think panoramic format. (Okay, not the easiest thing to take a picture of, but give it a whirl.)
Rules are simple:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible
Deadline for this one is September 19; send to RNAC.workshops@gmail.com. Send along a title or I’ll have to make one up.
The Headlands, by Matt Cegelis
After the Swim, by Karen Matthews
Stoney Cove, by Joyce Roessler
Rocks at Folly Cove, by Linda Bourke
Plum Island, by Linda BourkeSummer of ’75, by Ken KingElizabeth Bishop the Traveler, by Neta Goren
Lanes Cove Sea Wall (before reconstruction), by Janice Brand
Enough summer laziness. We’re back! This week’s challenge is to merge the 2D world and the 3D world. It’s easier than you think — or not.
Rules are simple, as ever:
Color or black & white
2D and 3D
Any surface, any medium
Draw from direct observation preferred where possible
You have until September 12 for this one. Send submissions to RNAC.workshops@gmail.com with your title or I’ll make one up!
Frog Pond (left), Green Crash (right), by Judy Robinson-CoxCan Do, by Judy Robinson-CoxRosie, by Karen WatsonSwimming in the Quarry, 9/12, by Sally WaiteThe Angelic Monitor, by Cornelius Sullivan
SOS (Save Our Seas), by Donna Caselden
Beached in the Grass, by Alev DanisTail Feather, by Linda BourkeWhat Mice? by Janice BrandBottle Cap Snout, by Linda Bourke
Big Tiny is one of our major fundraisers for Rocky Neck Art Colony and you can help make it a success. The Challenge is to make a gorgeous image in a tiny 5×5″ painting, photograph, mixed media or print. This will be a piece you can deliver to us per instructions below for inclusion in the fundraiser.
Here are your marching orders:
After matting the visible area must be 5 inches x 5 inches.
Work on a 6“x6″ piece of watercolor paper, bristol board or photo paper. Need paper? We can provide 6”x6” 100 lb. Bristol stock. Call Mary Ann McCormick at 978-317-6803 to arrange a pick-up time at 4 Hatch Way on Rocky Neck (not the Cultural Center).
All 2D media accepted, including photography, collage, drawing and painting.
We do the matting. Just remember the visible area must be 5×5”.
Sign the BACK, not the front. One of the thrills of Big Tiny is the buyer doesn’t know who did the piece until after purchase!
Submission Deadline Update: Final Art due September 7. No excuses now! Please deliver or mail artworks in protective packaging to Mary Ann McCormick, 4 Hatch Way, Gloucester MA 01930. Artwork pickups can also be arranged.
See the links below to YouTube videos for some inspiration on how to make your tiny masterpiece:
The Big Tiny is all-virtual this year, so people can view and buy online. The website (we’ll post the URL here when it’s up) will be live for three days, Oct. 10 to 12. The artwork will sell for $150 the first day, $100 the second and $50 on the third. We are also offering framed Triptychs of three pieces that go together.
If you want, you can send your image here to Art Challenge for posting (I won’t be running your caption info): RNAC.workshops@gmail.com. More important, though, is to send the completed piece in to the address above by August 31.
Here’s another idea: Repurpose some of your past Art Challenge work for Big Tiny. As long as it has the all-important 5”x5” internal dimension, you’re probably good to go.
Create an image incorporating distortion as the essential visual strategy. What is distortion? Morphing, blurring, stretching. You play with it.
Rules as ever:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible
I’m going to take a bit of a break for August and only update every two weeks (the Fortnighly Challenge?). So you have until August 15 for this one. Send submissions to RNAC.workshops@gmail.com with your title or I’ll make one up!
Pop Rocks, by Katherine Coakley
Old Garden Beach, by Karen Watson
Hold That Pose, by Matt CegelisMood Indigo, by Ken King
Turtle Diary, by Linda Bourke
BMW 507 at Castle Hill, by Ray MagnanBlurry Barry, by Janice Brand
For this Challenge, you will need a fortune cookie (real, virtual, dreamt). Make an image triggered by your fortune. But, wait there’s more: Many fortune cookies’ fortunes have a feature on the back “Learn One Chinese Word.” An extra challenge is to somehow reference that word in the drawing. (If you’re looking for some inspiration, start here.)
Rules are simple:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible
Send your image to RNAC.Workshops@gmail.com along with the title of your piece. Deadline for this Challenge is August 1.
Fortune Cookie in a Teacup, by Matt CegelisThis Cookie’s Fortune: “Declare Peace Every Day”, by Linda BourkePracticing Good Fortune (with Jackie’s Ceramic Cookie), by Janice Brand
Some energetic souls here at Rocky Neck Art Colony are looking to put together a Colony cookbook. We’re gathering recipes, and we need art too. Focusing on ingredients is easier than, say, painting a salad, so take your favorites as inspiration—eggs, apples, walnuts, even broccoli, maybe a whole pie —and paint/draw/photograph at will.
Rules are simple:
Color or black & white
2D or 3D
Any surface, any medium
Draw from direct observation preferred where possible.
Send your image to RNAC.Workshops@gmail.com along with the title of the piece. Deadline for Ingredients is July 26 (extended — I’ll be away the 20th to the 23rd and won’t be able to post your pictures on those dates).
Gooseberries, by Christine Bobek
Olive Branch, by Christine BobekPears by Katherine Coakley
Never Enough Eggplant, by Dina GomeryPears, by Dina GomeryEggs Not Broken, by Ken KingCabbage, by Olga HayesRipe, by Sandy ShawGreek Salad, by Claire Wyzenbeek
Brings Tears to My Eyes and Chard, by Karen Watson
Leeks and Pomegranate, by Barbara Moody
Artichoke and Asparagus, by Barbara Moody
Farm Fresh, by Leslie HeffronFour Pears, by Bruce ShawApples, by Marny Williams
Ingredients on a Fruit Roll: Plums, Pears and Oranges, by Shelly Champion
Corn and Ant, by Karen Watson
Pierre’s Table Oil, by Candace StellaItalian Dinner at Farfa, by Joy BuellOysters, by Mary HayesFrilly Egg, by Helen ToryAllium Sativum, by Matt CegelisSwiss Chard, by Ray MagnanPepino Melon and Grapes, by Linda Bourke